Erasmus - Praise of Folly (English Version)

"Erasmus - Praise of Folly (English Version) album by Jordi Ricart on Fair Music Project"

Release Date: 1970-01-01T00:00:00.000000Z

  • Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]
  • Music: Folias (Imperfectas) [Harp]
  • Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
  • Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp)
  • Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
  • Saltarello: Une musque de Buscaye (Instrumental)
  • La Folia: "Yo Soy La Locura"
  • A Florence la joyose cité (C. M. Montecassino No. 6)
  • Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico
  • Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
  • Narration VII (3): Folly’s Origins
  • Audi, benigne Conditor (C. M. Montecassino No. 40)
  • Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I
  • Recercada quarta sobre la Folia
  • Taskim & Dance (Ottoman)
  • Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
  • Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
  • Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)
  • Lavava y suspirava (Anonymous Sephardic)
  • La Gamba In Basso, E Soprano (1564)
  • Malor me bat (Odhecaton, No. 63)
  • Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ)
  • Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
  • Benedic anima mea (Ps. 103, 1-3)
  • Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
  • Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
  • Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
  • Si habrá en este baldrés (C. M. Palacio No. 179)
  • Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ)
  • Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
  • Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]
  • Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)
  • Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)
  • Browning my Dear
  • Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
  • Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533)
  • Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
  • Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
  • Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now
  • Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)
  • Todos los buenos soldados (La Guerra)
  • Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
  • Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934)
  • Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)
  • Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)
  • Saltarello (Mss. Venezia)
  • Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)
  • Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa
  • Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)
  • La Spagna (XVth Century)
  • Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)
  • Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
  • Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
  • Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
  • Diferencias Sobre ‘Las Vacas’ (Harp)
  • Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
  • Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)