Collegiate Chorale
MasterVoices (formerly the Collegiate Chorale) is a symphonic choir based in New York City, USA. It was founded in 1941 by Robert Shaw, who was later to found the professional Robert Shaw Chorale. MasterVoices continues to give several performances annually in Carnegie Hall, New York City Center, Lincoln Center and other venues. The group performed at the opening of the United Nations and has sung and recorded with such conductors as Serge Koussevitzky, Arturo Toscanini and Leonard Bernstein. The organization's artistic director is Ted Sperling.
The group was originally named for its first home, Manhattan's Marble Collegiate Church, and was notable for Robert Shaw's insistence, from its inception, that the group be racially integrated. The choir and the church soon parted ways due to the church's concerns about the choir's ethnic and religious makeup. The chorale was led by Abraham Kaplan in the 1960s, and by conductor Richard Westenburg from 1973 to 1979, and by music director and conductor Robert Bass from 1979 until his death in 2008. Among the chorale's achievements during the Bass years were such performances at Carnegie Hall as the New York premiere of Richard Strauss's Friedenstag with the Orchestra of St. Luke's in 1997, the United States premiere of Dvořák's Dimitrij, the American premiere of Handel's Giove in Argo, Respighi's La fiamma and Puccini's Turandot with the new ending by Luciano Berio. Bass and the chorale also recorded and performed two of Beethoven's cantatas, Der Glorreiche Augenblick and Auf die Erhebung Leopold des Zwieten zur Kaiserwürde with sopranos Deborah Voigt and Elizabeth Futral. Notable singers who performed with the choir during these years, included Kathleen Battle, Stephanie Blythe, Vinson Cole, David Daniels, Lauren Flanigan, Maria Guleghina, Hei-Kyung Hong, Salvatore Licitra, Alessandra Marc and Bryn Terfel.
Roger Rees was the chorale's artistic associate from 2003 to 2015, and James Bagwell was music director from 2009 to 2015. In July 2007 the choir was invited to perform Brahms' Ein Deutsches Requiem at Switzerland's Verbier Festival.
The group changed its name to MasterVoices on August 3, 2015, the same year that Ted Sperling became its artistic director. He has directed their staged concerts of musicals and operettas such as Song of Norway, Knickerbocker Holiday, The Pirates of Penzance, My Fair Lady, Anyone Can Whistle, The Mikado and Iolanthe, and operas such as The Grapes of Wrath and Carmen. In 2021 MasterVoices received nominations for a Drama League Award and a New York Emmy Award for its digital concert production, Myths and Hymns.
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Mirjam's Siegesgesang, D. 942: I. Rührt die Cymbel - Live - Barbara Hendricks in Verbier (Live) -
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Mirjam's Siegesgesang, D. 942: II. - IV. Aus Egypten vor dem Volke - Doch der Horizont er dunkelt - 's ist der Herr in seinem Grimme - Live - Barbara Hendricks in Verbier (Live) -
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Mirjam's Siegesgesang, D. 942: V. Tauchst du auf, Pharao? - Live - Barbara Hendricks in Verbier (Live) -
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Mirjam's Siegesgesang, D. 942: VI. Drum mit Cymbeln - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: I. Pesnya Ofelii - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: II. Gamayun, ptitsa veshchaya - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: III. My byli vmeste - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: IV. Gorod spit - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: V. Burya - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: VI. Tayniye znaki - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: VII. Muzyka - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Intermezzo (Moonlight Music) - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Morgen mittag um elf! - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Kein Andres, das mir so im Herzen loht - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Ihre Liebe schlägt mir entgegen - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Wählst du den einen - verlierst du den andern! - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Du Spiegelbild der verliebten Madeleine - Live - Barbara Hendricks in Verbier (Live) -
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Orchestra - Strauss, R.: Friedenstag - Opera In 1 Act -
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Piemontese Youth - Strauss, R.: Friedenstag - Opera In 1 Act -
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Musketeeer - Strauss, R.: Friedenstag - Opera In 1 Act -
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Sergeant Of The Guard - Strauss, R.: Friedenstag - Opera In 1 Act -
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Commandant - Strauss, R.: Friedenstag - Opera In 1 Act -
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Commandant - Strauss, R.: Friedenstag - Opera In 1 Act -
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Woman - Strauss, R.: Friedenstag - Opera In 1 Act -
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Commandant - Strauss, R.: Friedenstag - Opera In 1 Act -
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Marksman - Strauss, R.: Friedenstag - Opera In 1 Act -
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Maria's Entrance Commandant - Strauss, R.: Friedenstag - Opera In 1 Act -
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Maria - Strauss, R.: Friedenstag - Opera In 1 Act -
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Duet: Maria And Commandant Commandant - Strauss, R.: Friedenstag - Opera In 1 Act -
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Commandant - Strauss, R.: Friedenstag - Opera In 1 Act -
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Maria - Strauss, R.: Friedenstag - Opera In 1 Act -
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Mayor - Strauss, R.: Friedenstag - Opera In 1 Act -
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Orchestra - Strauss, R.: Friedenstag - Opera In 1 Act -
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Women - Strauss, R.: Friedenstag - Opera In 1 Act -
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Maria - Strauss, R.: Friedenstag - Opera In 1 Act -
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Finale: Chorus - Strauss, R.: Friedenstag - Opera In 1 Act -
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Commandant And Holsteiner - Strauss, R.: Friedenstag - Opera In 1 Act -
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All - Strauss, R.: Friedenstag - Opera In 1 Act -
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St Matthew Passion, BWV 244: Part I, No. 1: Chorus "Come, ye Daughters" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 2: Recitative "When Jesus had Finished" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 53: Chorale "Whate'er May Vex or Grieve Thee" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 3: Chorale "O Blessed Jesus" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 54: Recititative "Now at that Feast" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 4: Recitative "Then Assembled the Chief Priests" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 54: Double Chorus "Barabbas!" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 5: Chorus "Not Upon the Feast" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 54: Recitative "Then Pilate Said to Them" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 13: Recitative "Now on the First Day" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 54: Chorus "Let Him be Crucified!" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 14: Chorus "Where wilt Thou" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 56: Recitative "The Governor Answered" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 15 Recitative "He Said: Go ye into the City" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 57 Accompanied Recitative "To All Men Jesu Good Hath Done" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 15: Chorus "Lord, is it I?" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 58 Aria "In Love my Saviour Now is Dying" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 16: Chorale "Tis I Who Should be Sharing" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 59: Recitative "But They Cried Out the More" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 17: Recitative "He Answered Them, and Said" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 59: Chorus "Let Him Be Crucified" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 18: Accompanied Recitative "Although my Heart and Eyes o'Erflow" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 59: Recitative "Then Released He Barabbas" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 19: Aria "Lord, to Thee my Heart I Proffer" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 60: Accompanied Recitative "O Gracious God" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 20: Recitative "And When They Had Sung" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 62: Recitative "And Then Did the Soldiers of the Governor" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 21: Chorale "Acknowledge Me, My Keeper" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 62: Dobule Chorus "We Hail Thee, King of the Jews" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 22: Recitative "Then Answered Peter" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 62: Recitative "And Then They Spat on Him" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 23: Chorale "Near Thee would I be Staying" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 63: Chorale "O Thou, With Hate Surrounded" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 24: Recitative "Then Cometh Jesus with Them" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 25: Accompanied Recitative "O Grief, How Throbs" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 26: Aria "I Would Beside my Lord be Watching" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 27: Recitative " And he Went a Little Farther" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 28: Accompanied Recitative "The Saviour, Low Before His Father Bending" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 29: Aria " Gladly Would I Be Enduring" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 30: Recitative "And He Came to His Disciples" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 31: Chorale "The will of God be alway done" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 32: Recitative "And He Came Again" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 33: Duet "Behold, my Saviour Now is Taken" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 34: Recitative "And Behold, One of Them" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part I, No. 35: Chorale "O Man, Bewail thy Grievous Sin!" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 36: "Ah! Now is my Saviour Gone" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 37: Recitative "And They That Laid Hold on Jesus" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 46: Chorus "Truly, Thou Also Art One of Them" - Bach: St Matthew Passion, BWV 244 -
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St Matthew Passion, BWV 244: Part II, No. 46: Recitative "And Then Did He Begin to Curse and to Swear" - Bach: St Matthew Passion, BWV 244 -
Collegiate Chorale
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