Brian Ferneyhough
Brian John Peter Ferneyhough ( ; born 16 January 1943) is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987.
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Shadowtime: Scene 1, New Angels - Transient Failures (Prologue) - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 4, Opus Contra Naturam (Descent of Benjamin into the Underworld): — - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime: Scene 2, Les Froissements d'Ailes de Gabriel - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 4, Opus Contra Naturam (Descent of Benjamin into the Underworld): Katabasis - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Amphibolies I (Walk Slowly) - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 4, Opus Contra Naturam (Descent of Benjamin into the Underworld): Kataplexy - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Dust to Dusk - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Three Giant Mouths - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Cannot Cross - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Headless Ghoul - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Indissolubility (Motetus Absconditus) - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Karl Marx and Groucho Marx, with Kerberus - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Amphibolies II (Noon) - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Pope Pius XII - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: In the Dark (But Even Fire Is Light) - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Joan of Arc - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Sometimes - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Baal Shem Tov Disguised as Vampire - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Anagrammatica - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Adolf Hitler - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Dew and die - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Albert Einstein - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Schein - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Border Guard - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Dusts to Dusks - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Four Furies - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Amphibolies III (Pricks) - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 5, Pools of Darkness: Golem - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 3, The Doctrine of Similarity: Salute - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Laurel's Eyes (After Heine's "Die Lorelei") - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Tensions - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Hashish in Marseilles - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: After Heine's "Der Tod, das ist die kühle Nacht" - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: One and a Half Truths - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Can'ts - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Madame Moiselle and Mr. Moiselle - Ferneyhough: Shadowtime -
Brian Ferneyhough
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Shadowtime, Scene 7: Stelae for Failed Time - Ferneyhough: Shadowtime -
Brian Ferneyhough
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