Rosemary Joshua
Rosemary Joshua (born 16 October 1964) is a Welsh soprano, particularly known for her performances in Handel's operas.
Joshua was born in Cardiff, Wales, and studied at the Royal College of Music. After completing her studies there, she made her debut at the Aix-en-Provence Festival as Angelica in Handel's Orlando. Other early operatic appearances were Zerlina in Don Giovanni with Scottish Opera, and both Susanna in The Marriage of Figaro, Sophie in Der Rosenkavalier, norina in Don Pasquale for English National Opera. She has gone on to sing major soprano roles in many of the world's leading opera houses and festivals, including Adèle in Die Fledermaus at the Metropolitan Opera, New York; the title role in The Cunning Little Vixen and Titania in Midsummer Nights Dream at La Scala, Milan and Dutch National Opera in Amsterdam; Anne Trulove in The Rake's Progress at the Glyndebourne Festival and Zerlina, Anne Truelove, Angelica, Orlando, Despina at the Royal Opera House, Covent Garden.
She took the title role in Ken Russell's production of Princess Ida for ENO at the Coliseum Theatre in 1992.
She has appeared in concert across Europe and the USA And has collaborated with many leading conductors including Roger Norrington, Charles Mackerras, Mark Elder, Simon Rattle, Antonio Pappano, Vladimir Jurowski, Gustavo Dudamel, Colin Davis, Marc Albrecht, René Jacobs, William Christie and Marc Minkowski in leading concert halls including The London BBC Proms Royal Albert hall, Tchaikovsky Hall in Moscow, Concertgebouw, Carnegie Hall, Wigmore Hall and Musikverein and Mozarteum, Vienna. Her many recordings include Handel's Partenope, Esther, Semele, Romilda (Serse), Emilia (Flavio), Nitocris (Belshazzar), Michal (Saul) and Angelica (Orlando); as well as Venus and Adonis, Blow, Belinda in Dido and Aeneas and Mahler's Symphony No. 4, Manfred Tojahns Orest and a solo recording of Purcell's Harmonia Sacra. She has also released two duo recitals with Sarah Connolly of Handel Duets and a Purcell duets live from the Wigmore Hall.
Rosemary Joshua has been appointed as the Artistic Director of the Dutch National Opera Studio, the new Young Artists programme at the Dutch National Opera house which launched in September 2018.
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Serse, HWV 40: Overture - Handel: Serse, HWV 40 -
Rosemary Joshua
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Serse, HWV 40, Act II: Arioso. Speranze mie fermate (Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Accompagnato. Frondi tenere, e belle (Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Arioso. Ah, chi voler fiora di bella giardina (Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Ombra mai fu (Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Recitativo. E chi direbbe mai ch'io sono Elviro? (Elviro, Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Siam giunti, Elviro... (Arsamene, Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Aria. Or che siete, speranze, tradite (Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Sinfonia e recitativo. Sento un soave concento (Arsamene, Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Recitativo. Quel curioso è partito, oh! che indiscreto! (Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. O voi che penate (Romilda, Arsamene, Elviro, Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Arioso e recitativo. A piangere ogn'ora (Atalanta, Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Arsamene (Serse, Arsamene) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Arioso. Ah, tigre infedele! (Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Và godendo vezzoso e bello (Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Recitativo. Parti, il re s'avvicina (Atalanta, Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Quel canto a un bell' amor l'anima sforza (Serse, Arsamene) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Arioso. È tormento troppo fiero (Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Io le dirò che l'amo (Serse, Arsamene) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Recitativo. Di quel foglio, Atalanta (Serse, Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Arsamene (Romilda, Arsamene, Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Aria. Dirà che amor per me (Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Si, si, mio ben, si, si (Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Recitativo. Voi quel foglio lasciate a me per prova (Serse, Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Presto, Signor, vien Serse (Elviro, Arsamene, Serse, Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Aria. Dirà che non m'amò (Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Meglio in voi col mio partire (Arsamene) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Recitativo. Ingannata Romilda! (Serse, Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Bellissima Romilda, eh, non celate (Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act II: Duettino. L'amerete? - L'amerò (Serse, Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Di tacere e di schernirmi (Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Aspide sono a' detti tuoi d"amore (Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Nemmen coll'ombre d'infedeltà (Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Se cangio spoglia (Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Pugnammo, amici, e stette (Ariodate, Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Già la tromba (Choir) [1] - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Ecco Serse, oh che volto, oh che splendore! (Amastre, Serse, Ariodate) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Soggetti al mio volere (Ariodate) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Già la tromba (Choir) [2] - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Queste vittorie, io credo (Serse, Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Più che penso alle fiamme del core (Serse) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Eccoti il foglio, Elviro (Arsamene, Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Arioso. Signor, Signor, lasciate fare a me (Elviro) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Non so se sia la speme (Arsamene) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Tradir di regia sposa (Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Saprà delle mie offese (Amastre) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Al fin sarete sposa al vostro Serse (Atalanta, Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Se l'idol mio (Romilda) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Recitativo. Per rapir quel tesore (Atalanta) - Handel: Serse, HWV 40 -
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Serse, HWV 40, Act I: Aria. Un cenno leggiadretto (Atalanta) - Handel: Serse, HWV 40 -
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Flavio, Re de' Longobardi, HWV 16, Overture: Overture - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene VII: Di Teodata assai men vago splende (Flavio, Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Fra i ciechi orror' notturni (Vitige, Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene VII: Chi può mirare (Flavio) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Ricordati, mio ben (Teodata, Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Teodata! (Vitige, Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene II: Sinfonia - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Con un vezzo, con un riso (Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene II: Lotario, al sacro nodo (Ugone, Lotario, Guido, Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene IX: Amo, e quel ben ch'adoro (Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene III: Con l'alma reverente - Quanto dolci, quanto care (Emilia, Guido, Ugone, Lotari - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene IX: Non credo instabile (Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene IV: Son pur felice al fine (Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene X: Io deluso? Lotario? ed altri miete (Lotario, Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene IV: Bel contento già gode quest'alma (Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene XI: Ah! Misera, che veggio? Ah, genitore - Ma chi punir desio? (Emilia, Lotario) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act I Scene V: O dell'Italo soglio, eccelso nume (Ugone, Flavio, Teodata) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene I: Alma, tu non m'intendi (Flavio, Emilia, Ugone) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene V: Benchè povera donzella (Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene I: Da te parto. ma concedi (Emilia) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene VI: Della mia prole Emilia (Lotario, Flavio, Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Guido, Lotario uccise? (Flavio, Vitige, Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene VII: Di qual sovrano e riverito impero - Se a te vissi fedele (Ugone, Flavio, Lotar - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Corrispondi a chi ti adora (Vitige, Flavio, Teodata) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act I Scene VIII: Vitige! (Flavio, Vitige) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Starvi accanto e non languire (Flavio) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act I Scene VIII: Di quel che m'innamora (Flavio) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Barbara Teodata (Vitige, Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene IX: Io vo temendo, O Dio (Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Che colpa è la mia (Teodata) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene IX: Che bel contento (Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene III: Del nuovo amante, e dell'impero accesa (Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene X: Ah! Guido, Guido! (Ugone, Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene III: Sirti, scogli, tempeste, procelle (Vitige) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene XI: Amor, Emilia, onore - L'armellin vita non cura (Guido) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene IV: O Guido, o mio tiranno! - Emilia, eccoti al piede (Emilia, Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene XII: Guido? Consorte? (Emilia, Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene IV: Amor, nel mio penar (Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act I Scene XIII: Chi mai l'intende, Oh Dio! - A mante stravagante (Emilia) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene V: Vitige! (Teodata, Vitige, Flavio) - Act III Scene VI. Signor, se il mio delitt - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act II Scene I: Al tuo cenno reale ubbidiente (Teodata, Flavio) - Act II Scene II. Dove, dove m - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act III Scene VII: Deh, perdona, o dolce bene (Guido, Emilia) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene III: Ah! Teodata, Teodata! - Fato tiranno e crudo (Ugone, Teodata) - Handel: Flavio, HWV 16 -
Rosemary Joshua
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Flavio, Re de' Longobardi, HWV 16, Act III Scene VII: E tu, Vitige, in pena (Flavio, Vitige, Teodata, Ugone, Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene IV: Dunque per le mie nozze (Emilia, Lotario) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene IV: S'egli ti chiede affetto (Lotario) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene V: Che mai chiedete, o stelle (Emilia, Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene V: Parto, sì. ma non so poi (Emilia) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene VI: Privarmi ancora (Guido) - Handel: Flavio, HWV 16 -
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Flavio, Re de' Longobardi, HWV 16, Act II Scene VI: Rompo i lacci, e frango i dardi (Guido) - Handel: Flavio, HWV 16 -
Rosemary Joshua
Handel: Semele
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Semele, HWV 58, Act III: No. 45, Sinfonia. Larghetto e piano per tutto - Handel: Semele -
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Semele, HWV 58: No. 1, Ouverture - Handel: Semele -
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Semele, HWV 58, Act II: No. 24, Sinfonia. Presto - Handel: Semele -
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Semele, HWV 58, Act III Scene I: No. 46, Somnus, awake (Juno) - Handel: Semele -
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Semele, HWV 58: Allegro - Adagio - Handel: Semele -
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Semele, HWV 58, Act II Scene I: No. 25, Iris, impatient of thy stay (June) - Handel: Semele -
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Semele, HWV 58, Act III Scene I: No. 47, Leave me, loathsome light (Somnus) - Handel: Semele -
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Semele, HWV 58: Gavotte - Handel: Semele -
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Semele, HWV 58, Act II Scene I: No. 26, There, from mortal cares retiring (Iris) - Handel: Semele -
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Semele, HWV 58, Act III Scene I: No. 48, Dull God, canst thou attend the water's fall (Iris) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 2, Behold! auspicious flashes rise! (Cadmus) - Handel: Semele -
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Semele, HWV 58, Act II Scene I: No. 27, No more - I'll hear no more (Juno) - Handel: Semele -
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Semele, HWV 58, Act III Scene I: No. 49, More sweet is that name (Somnus) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 3, Lucky omens bless our rites (Chorus) - Handel: Semele -
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Semele, HWV 58, Act II Scene I: No. 28, Hence, Iris, hence away (Juno) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 4, Daughter, obey (Cadmus) - Handel: Semele -
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Semele, HWV 58, Act II Scene II: No. 30, O sleep, why dost thou leave me? (Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 5, Ah me! What refuge now is left me? (Semele) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 31, Let me not another moment (Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 6, The morning lark to mine accords his note ( Semele) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 32, Lay your doubts and fears aside (Jupiter) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 7, See, she blushing turns her eyes (Athamus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 33, You are mortal, and require (Jupiter) - Handel: Semele -
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Semele, HWV 58, Act III Scene III: No. 54, Myself I shall adore (Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 8, Hymen, haste, thy torch prepare (Athamus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 34, With fond desiring (Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 9, Alas! she yields (Ino) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 35, How engaging, how endearing (Chorus) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 10, Why does thou thus untimely grieve (Cadmus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 36, Ah me! (Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 11, Avert those omens, all ye pow'rs! (Chorus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 37, I must with speed amuse her (Jupiter) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 12, Again auspicious flashes rise (Cadmus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 38, Now Love that everlasting boy invites (Chorus) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 13, Thy aid, pronubial Juno, Athamus implores (Athamus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 39, By my command' (Jupiter) - Handel: Semele -
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Semele, HWV 58, Act I Scene I: No. 14, Cease, cease your vows, 'tis impious to proceed (Chorus) - Handel: Semele -
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Semele, HWV 58, Act II Scene III: No. 40, Where'er you walk, cool gales shall fan the glade (Jupiter) - Handel: Semele -
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Semele, HWV 58, Act I Scene II: No. 15, O Athamus, what torture hast thou borne! (Athamus) - Handel: Semele -
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Semele, HWV 58, Act II Scene IV: No. 41, Dear sister, how was your passage hither? (Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene II: No. 16, Turn, hopeless lover, turn thy eyes (Ino) - Handel: Semele -
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Semele, HWV 58, Act II Scene IV: No. 42, But hark! the heav'nly sphere turns round (Ino) - Handel: Semele -
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Semele, HWV 58, Act I Scene II: No. 17, She weeps! The gentle maid, in tender pity (Athamus) - Handel: Semele -
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Semele, HWV 58, Act II Scene IV: No. 43, Prepare then, ye immortal choir (Ino and Semele) - Handel: Semele -
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Semele, HWV 58, Act I Scene II: No. 18, Your tuneful voice my tale would tell (Athamus) - Handel: Semele -
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Semele, HWV 58, Act II Scene IV: No. 44, Bless the glad earth with heav'nly lays (Chorus) - Handel: Semele -
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Semele, HWV 58, Act I Scene II: No. 19, Too well I see (Ino) - Handel: Semele -
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Semele, HWV 58, Act I Scene II: No. 20, You've undone me (Ino) - Handel: Semele -
Rosemary Joshua
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Semele, HWV 58, Act I Scene III: No. 21, Ah, wretched Prince, doom'd to disastrous love! (Cadmus) - Handel: Semele -
Rosemary Joshua
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Semele, HWV 58, Act I Scene IV: No. 22, Hail, Cadmus, hail! Jove salutes the Theban King (Chorus) - Handel: Semele -
Rosemary Joshua
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Semele, HWV 58, Act I Scene IV: No. 23, Endless pleasure, endless love (Semele) - Handel: Semele -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Overture - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Belinda "Shake the cloud" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Dido "Ah! Belinda, I am prest" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Belinda "Grief increase by concealing" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Chorus "When monarchs unite" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Dido "Whence could so much virtue spring?" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Belinda, Second Woman "Fear no danger to ensue" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Belinda "See, your Royal Guest appears" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Chorus "Cupid only throws the dart" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Aeneas "If not for mine" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Belinda "Pursue thy conquest" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, Chorus "To the hills and the vales" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act I, The Triumphing Dance - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Prelude for the Witches - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Chorus "Harm's our delight" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Sorceress "The Queen of Carthage" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Chorus "Ho ho ho, ho ho ho!" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Two Witches "But ere we this perform" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Chorus "In our deep vaulted cell" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Echo Dance of Furies - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Ritornelle - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Belinda "Thanks to these lovesome vales" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Aeneas "Behold, upon my bending spear" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Belinda "Haste, haste to town" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Spirit "Stay, Prince and hear great Jove's command" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, Chorus "Then since our Charmse have Sped" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act II, The Groves Dance - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Prelude - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Come away, fellow sailors" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Sorceress "See the flags and streamers curling - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Sorceress "Our next Motion" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Destruction's our delight" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, The Witches's Dance - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Dido "Your counsel all is urged in vain" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Dido "Thy hand, Belinda" - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) - Purcell: Dido & Aeneas -
Rosemary Joshua
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Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come" - Purcell: Dido & Aeneas -
Rosemary Joshua
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