Philipp von Steinaecker

Mahler: Symphony No. 5 on Period Instruments - 2026-08-28T00:00:00.000000Z

• Symphony No. 5 in C-Sharp Minor, GMW 44: I. Trauermarsch. In gemessenem Schritt Streng. Wie ein Kondukt - Mahler: Symphony No. 5 on Period Instruments - Philipp von Steinaecker
• Symphony No. 5 in C-Sharp Minor, GMW 44: II. Stürmisch bewegt. Mit größter Vehemenz - Mahler: Symphony No. 5 on Period Instruments - Philipp von Steinaecker
• Symphony No. 5 in C-Sharp Minor, GMW 44: III. Scherzo. Kräftig, nicht zu schnell - Mahler: Symphony No. 5 on Period Instruments - Philipp von Steinaecker
• Symphony No. 5 in C-Sharp Minor, GMW 44: IV. Adagietto. Sehr langsam - Mahler: Symphony No. 5 on Period Instruments - Philipp von Steinaecker
• Symphony No. 5 in C-Sharp Minor, GMW 44: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch - Mahler: Symphony No. 5 on Period Instruments - Philipp von Steinaecker

Handel: Memoirs 5 - 2024-08-21T00:00:00.000000Z

• The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: Before we enter on the examinations - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: Music is founded on established rules - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: The rules are derived from experience - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: The former of these - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: Such passages - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: Hence too we may conclude - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: As tste implies a natural sensibility - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Observations on the works: Art is here not only useless, but dangerous - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Italian music since Palestrina: It happened, as it naturally must - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Italian music since Palestrina: For their instrumental parts - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Italian music since Palestrina: The one is, that they have little time for composing - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Italian music since Palestrina: This in some degree - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Interaction between Handel and the italians: From all that has been said - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: But in order to make a right judgement - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: The concertos of Tartini - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: It may also be added - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Value of harmony and melody: The best Painter would be blamed - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Uneven success in Handel: To speak the plain truth - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Uneven success in Handel: A gentleman whom he had desired - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Uneven success in Handel "Un disprezzato affetto" - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Tartini as example of vocal writing for instruments: Here too we will see - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Importance of textual considerations in composition: And here I just may take notice - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Importance of textual considerations in composition: A too close attachment - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Importance of textual considerations in composition: The English tongue - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Importance of textual considerations in composition: If it abounds with noble images - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Exceptional nature of Handels choral music: But there are many reasons - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Exceptional nature of Handels choral music: It is however no way improbable - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception - Handel: Memoirs 5 - Philipp von Steinaecker
• Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music - Handel: Memoirs 5 - Philipp von Steinaecker

Handel: Memoirs 4 - 2024-08-20T00:00:00.000000Z

• The Messiah, HWV 56: Pt. 1 No. 1, Sinfony (Orchestra) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 4 - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 2, Comfort Ye My People (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 4 - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 3, Every Valley Shall Be Exalted (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: He now removed to Conventgarden - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: He could not beleive - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: The opposition in which they were engaged - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: From hence he gradually - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: By this journey - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: There were but few persons - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: At the end of three or four years - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Move to Covent Garden: The observation that misfortunes - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Cure in Aachen: In this melancholic state - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Cure in Aachen: Whoever knows any thing - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: The Haymarket Theatre: Soon after his return to London in 1736 - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: The Haymarket Theatre: He made two operas for his Lordship - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: The Haymarket Theatre: The sense of his abilities - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: The Haymarket Theatre: But he was so averse - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: The Haymarket Theatre: Esther was made originally for the Duke of Chandois - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: The Haymarket Theatre: But the very sacredness and solemnity - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: A turn of attention to Oratorio In times when narrow notions - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: A turn of attention to Oratorio: Would not action and gesticulation - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: A turn of attention to Oratorio: Racine's Estehr and Athaliah - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: A turn of attention to Oratorio: The distance of this theatre - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: A turn of attention to Oratorio: But at this time his affairs - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: In Dublin Messiah as benefit concert: Dublin has always been famous - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: In Dublin Messiah as benefit concert: There was a preculiar propriety - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: In Dublin Messiah as benefit concert: Mr. Pope - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: In Dublin Messiah as benefit concert: But soon, ah soon, rebellion will commence - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Return to London: At his return to London - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Return to London: Indeed, in the year 1743 - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Return to London: It is sufficient - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Messiah for the Foundling Hospital, Death: The Foundling Hospital originally rested - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Messiah for the Foundling Hospital, Death: By these vast numbers of the nobility - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Messiah for the Foundling Hospital, Death: The very successful application - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: In the year 1751 - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: This must appear the more surprising - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: Those, who have blamed him - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: He certainly paid more attention to it - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: Had he hurt his health - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: It was thought better to leave the Reader - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: So that this connection - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Catalogue of the works, Overview and general remarks: Catalogue of the works - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: Catalogue of the works, Overview and general remarks: In the followin Catalogue - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Theatrical Music - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Amadigi - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Giulio Cesare - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Admeto - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Sosarme - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Atalanta - Handel: Memoirs 4 - Philipp von Steinaecker
• Memoirs: List of works: Alessandro Severo - Handel: Memoirs 4 - Philipp von Steinaecker

Mahler: Symphony No. 9 on Period Instruments - 2024-06-21T00:00:00.000000Z

• Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 2, Etwas frischer - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 3, Plötzlich sehr mäßig und zurückhaltend - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 4, Mit Wut. Allegro risoluto - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 5, Schattenhaft - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 6, Bewegter - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 7, Wie von Anfang - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 1, Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 2, Pocco piu mosso subito - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 3, Tempo III. Ländler, ganz langsam - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 4, A tempo II - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 5, Tempo I. Wie zu Anfang - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 6, Tempo II - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: II. Ländler: No. 7, Tempo I. Subito - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 1, Allegro assai. Sehr trotzig - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 2, L’istesso tempo (I) - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 3, Sempre l’istesso tempo - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 4, L’istesso tempo (2) - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 5, Etwas gehalten - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 6, [Clarinets] - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: III. Rondo Burleske: No. 7, Tempo I. Subito - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 1, Sehr langsam und noch zurückhaltend - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 2, Plötzlich wieder langsam (wie zu Anfang) und etwas zögernd - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 3, Molto adagio subito - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 4, A tempo. Molto adagio - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 6, Fliessender, doch durchaus nicht eilend - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 7, Tempo I. Molto adagio - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker
• Symphony No. 9 in D Major: IV. Adagio: No. 8, Adagissimo - Mahler: Symphony No. 9 on Period Instruments - Philipp von Steinaecker

Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - 2023-09-29T00:00:00.000000Z

• The Messiah, HWV 56: Pt. 1 No. 1, Sinfony (Orchestra) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 27, All They That See Him Laugh (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 2, Comfort Ye My People (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 3, Every Valley Shall Be Exalted (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 29, Thy Rebuke Hath Broken His Heart (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 4, And the Glory of the Lord Shall Be Revealed (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 30, Behold and See If There Be Any Sorrow (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 5, Thus Saith the Lord (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 31, He Was Cut Off Out of the Land of the Living (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 6, But Who May Abide the Day of His Coming (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 32, But Thou Didst Not Leave His Soul In Hell (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 7, And He Shall Purify the Sons of Levi (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 33, Unto Which of the Angels Said He (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 8, Behold, a Virgin Shall Conceive (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 34, Let All the Angels of God Worship Him (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 9, O Thou That Tellest Good Tidings to Zion (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 35, Thou Art Gone up On High (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 10, For Behold, Darkness Shall Cover the Earth (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 37, How Beautiful Are the Feet of Them (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 12, For Unto Us a Child Is Born (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 38, Their Sound Is Gone Out Into All Lands (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 13, Pifa, Pastoral Sinfonia (Orchestra) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 39, Why Do the Nations So Furiously Rage (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 14A, There Were Shepherds Abiding (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 40, Let Us Break Their Bonds Asunder (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 14B, And Lo, the Angel of the Lord Came Upon Them (Sopran) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 41, He That Dwelleth In Heaven (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 15, And the Angel Said unto Them (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 42, Thou Shalt Break Them (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 16, And Suddenly There Was with the Angel (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 43, Hallelujah! (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 17, Glory to God In the Highest (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 3 No. 44, I Know That My Redeemer Liveth (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 18, Rejoice Greatly, O Daughter of Zion (Soprano) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 3 No. 45, Since By Man Came Death (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 19, Then Shall the Eyes of the Blind Be Opened (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 3 No. 46, Behold, I Tell You a Mystery (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 3 No. 47, Behold, I Tell You a Mystery (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 1 No. 21, His Yoke Is Easy, His Burthen Is Light (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 3 No. 48, Then Shall Be Brought to Pass (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 22, Behold the Lamb of God (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 3 No. 49, O Death, Where Is Thy Sting (Alto, Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 23, He Was Despised and Rejected of Men (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 24, Surely, He Hath Borne Our Griefs (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 25, And with His Stripes We Are Healed (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker
• The Messiah, HWV 56: Pt. 2 No. 26, All We Like Sheep Have Gone Astray (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Messiah, HWV 56 (Live at Cathedral of Brixen, 08/28/2009) - Philipp von Steinaecker

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