Alan Woodrow
Alan Donald Woodrow (born 1952) is a Canadian operatic tenor.
Born in Toronto, Woodrow studied singing with George Lambert at the Royal Conservatory of Music in Toronto before pursuing further studies at the London Opera Centre. On completing these studies he joined English National Opera (ENO) as a principal tenor and quickly developed into the dramatic fach. It is in this repertoire that he has emerged at an international level. The acclaim he generated in Martinu's Greek Passion at the Edinburgh Festival brought him to the attention of major European houses. Woodrow retains a highly productive relationship with ENO and Basel Opera. He also appears in Tel Aviv, the Guelph Spring Festival, Munich Bayerische Staatsoper, Royal Albert Hall, Theater Basel, San Diego Opera, Teatro San Carlo, Teatro Massimo of Palermo, City of London Sinfonia, San Antonio Symphony, Philharmonia Orchestra, Teatro Comunale of Florence, Richard Strauss Festspiele Garmisch. Engagements this and last season include the Teatro Verdi in Trieste, Opéra de Rouen, Théâtre du Capitole at Toulouse, Teatro Massimo of Palermo and Guido Bardi in Eine florentinische Tragödie for La Scala, Milan.
Woodrow has sung extensively with major opera houses around the world. He was principal tenor for several years at English National Opera; his numerous roles there include Don José in Bizet's Carmen, Prince Andrei in Mussorgksy's Khovanschina, and the Captain in Berg's Wozzeck.
Other European credits for Woodrow include Sergei in Shostakovich's Lady Macbeth of Mtsensk at Teatro alla Scala, Paris Opéra Bastille, and Frankfurt Opera and the Emperor in Richard Strauss's Die Frau ohne Schatten at Deutsche Oper Berlin, Gran Teatre del Liceu, and Bayerische Staatsoper.
In 2000, Woodrow played the part of Tannhäuser in a DVD directed by Walter Licastro, written by Richard Wagner.
He has sung the role of Siegfried often: in Toulouse, in Perth, in Barcelona, in Manaus, in Madrid, in Liège, and at Seattle Opera for his company debut in 2001.
Woodrow returned to Seattle later that year to sing the Prince in Dvořák's Rusalka. His many roles since then have included Guido Bardi in Zemlinsky's Florentine Tragedy in Milan, and Herod in Richard Strauss's Salome in Palermo. Future plans include Tristan in Wagner's Tristan und Isolde in Toulouse and Siegfried in Berlin. He later returned to Seattle Opera to sing Alfred in Johann Strauss, Jr.'s Die Fledermaus.
Woodrow is married to British soprano Vivian Tierney and has three sons, Jonathan, Alex & David, and one daughter, Julia.
Berg: Wozzeck
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Wozzeck, Act I Scene 1: Slowly, Wozzeck, slowly! (Captain, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 1: How they glisten brightly! (Marie) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 1: Wozzeck, you are a decent man, and yet … (Captain, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 1: Wozzeck enters, unseen - What's that, there? (Wozzeck, Marie) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 2: Andres! This place is accursed! (Wozzeck, Andres) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 2: Why are you rushing, my dearest friend (Captain, Doctor) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 2: Listen. There's something moving there below us! (Wozzeck, Andres) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 2: Hey, Wozzeck! (Doctor, Captain) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 3: Military music off-stage - Tschin, Bum, Tschin, Bum, Bum, Bum, Bum! (Marie, Margret) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 2: But what are you trying to tell me, Herr Doktor (Wozzeck, Captain, Doctor) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 3: What will you do now, poor lamb? … (Marie) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 3: God morning, Franz (Marie, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 3: Marie sunk in thought - Knocking at the window - Who's there? (Marie, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 3: Scene change - Tavern music - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 4: This is monstrous, Wozzeck! (Doctor, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 4: I've got a shirt on, though it is not mine … (First Apprentice, Second Apprentice) - Tavern music - Him! - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 4: Wozzeck - Just like a lunatic! (Doctor, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 4: A hunter from the Rhine (Andres, Wozzeck, Youths, Soldiers) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act I Scene 5: Show me how you parade! (Marie, Drum Major) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 4: And yet, if a traveller pauses (Wozzeck, Andres, First Apprentice, The Idiot, Soldiers, Youths) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 5: Mmmmmm (Soldiers, Wozzeck, Andres) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act II Scene 5: I am a man! (Wozzeck, Andres, Drum Major) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 1: And out of his mouth (Marie) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 1: And once there was a lonely child (Marie) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 1: And falling on her knees before Him (Marie) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 2: The town is over there (Marie, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 2: The moon rises - How the moon rises red! (Marie, Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 3: Dance, damn you! (Wozzeck, Margret, Wenches, Youths) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 4: The dagger? Where is the dagger? (Wozzeck) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 4: I ought to wash myself clean (Wozzeck, Captain, Doctor) - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 4: Scene change. Invention on a Key - Berg: Wozzeck -
Alan Woodrow
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Wozzeck, Act III Scene 5: Ring-a-ring-a-roses, all fall down! (Children, Marie's Boy) - Berg: Wozzeck -
Alan Woodrow
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