Antonio Pappano
Sir Antonio Pappano (born 30 December 1959) is an English-Italian conductor and pianist. He is currently music director of the Royal Opera House and chief conductor of the London Symphony Orchestra.
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Daphnis et Chloé, M. 57, Première partie: I. Introduction et Danse religieuse - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Première partie: II. Les jeunes filles attirent Daphnis - Danse Générale - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Première partie: III. Danse grotesque de Dorcon - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Première partie: IV. Danse légère et gracieuse de Daphnis - Lyceion danse - Les pirates - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Première partie: V. Une lumière irréelle enveloppe le paysage - Danse lente et mystérieuse - Daphnis se prosterne suppliant - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Deuxième partie: VI. Voix, très lointaines - Animé et très rude (Danse guerrière) - Bryaxis ordonne d'amener la captive - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Deuxième partie: VII. Danse suppliante de Chloé - Bryaxis veut l'entraîner - L'ombre de Pan apparaît - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Troisième partie: VIII. Lever du jour - Daphnis cherche pour Chloé et il rêve d'elle - Daphnis et Chloé miment l'aventure de Pan et de Syrinx - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Troisième partie: IX. Chloé réapparaît - Ravel: Daphnis et Chloé -
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Daphnis et Chloé, M. 57, Troisième partie: X. Animé - Danse Générale - Danse de Daphnis et Chloé - Danse de Dorcon - Danse finale (Bacchanale) - Ravel: Daphnis et Chloé -
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Elijah, Op. 70, MWV A 25, Part 1: Introduction. As God the Lord of Israel liveth - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 21, Aria, Recitative and Aria. Hear ye, Israel! - Thus saith the Lord - I am He that comforteth - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: Overture - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 22, Chorus. Be not afraid, saith God the Lord - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 1, Chorus. Help, Lord! Wilt Thou quite destroy us? - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 23, Recitative and Chorus. The Lord hath exalted thee from among the people - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 1, Recitative. The depths afford no water! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 24, Chorus. Woe to him! He shall perish - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 2, Duet with Chorus. Lord, bow Thine ear to our pray'r! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 25, Recitative. Man of God, now let my words be precious in thy sight! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 3, Recitative. Ye people, rend your hearts, and not your garments - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 26, Aria. It is enough! O Lord, now take away my life - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 4, Aria. If with all your hearts ye truly seek Me - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 27, Recitative. See, now he sleepeth beneath a juniper tree in the desert - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 5, Chorus. Yet doth the Lord see it not - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 28, Trio. Lift thine eyes, O lift thine eyes to the mountains - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 6, Recitative. Elijah! Get thee hence from here! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 29, Chorus. He, watching over Israel, slumbers not, nor sleeps - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 7, Double Quartet. For He shall give His angels to watch over thee - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 30, Recitative. Arise, Elijah - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 8, Recitative, Aria and Duet. What have I to do with thee - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 31, Aria. O rest in the Lord, and wait for Him - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 9, Chorus. Blessed are the men who fear Him - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 32, Chorus. He that shall endure to the end - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 10, Recitative with Chorus. As God the Lord of Sabaoth liveth - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 33, Recitative. Night falleth round me, O Lord! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 11, Chorus. Baal, we cry to thee - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 34, Chorus. Behold, God the Lord - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 12, Recitative and Chorus. Call him louder! For he is a God - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 35, Recitative and Quartet with Chorus. Above Him stood the Seraphim - Holy, holy, holy is God the Lord - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 13, Recitative and Chorus. Call him louder! He heareth not - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 36, Chorus and Recitative. Go, return upon thy way - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 14, Aria. Lord God of Abraham, Isaac, and Israel - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 37, Arioso. For the mountains shall depart - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 15, Quartet. Cast thy burden upon the Lord - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 38, Chorus. Then did Elijah the prophet break forth like a fire - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 16, Recitative and Chorus. O Thou, who makest Thine angels spirits - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 39, Aria. Then shall the righteous shine - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 17, Aria. Is not His word like a fire - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 40, Recitative. Behold, God hath sent Elijah the prophet - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 18, Arioso. Woe, woe unto them who forsake Him! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 41, Chorus. But the Lord hath awakened one this night - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 19, Recitative and Chorus. O man of God, help Thy people! - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 41, Quartet. O come ev'ry one that thirsteth - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 1: No. 20, Chorus. Thanks be to God - Mendelssohn: Elijah -
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Elijah, Op. 70, MWV A 25, Part 2: No. 42, Final Chorus. And then shall your light break forth - Mendelssohn: Elijah -
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Verdi: Aida, Act 2: Triumphal March - Operatic Pappano -
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Verdi: Aida, Act 2: Ballet - Operatic Pappano -
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Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Coro, Amneris) - Operatic Pappano -
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Verdi: Aida, Act 2: Dance of the Moorish Slaves - Operatic Pappano -
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Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Re, Coro, Ramfis, Aida, Radamès, Amneris, Amonasro) - Operatic Pappano -
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Verdi: Aida, Act 1: "Celeste Aida" (Radamès) - Operatic Pappano -
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Puccini: Turandot, Act 1: "Signore, ascolta!" (Liù) - Operatic Pappano -
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Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Coro) - Operatic Pappano -
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Rossini: Guillaume Tell: Overture - Operatic Pappano -
Antonio Pappano
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Rossini: Guillaume Tell, Act 1: "Quel jour serein le ciel présage !" (Chœur) - Operatic Pappano -
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Wagner: Tristan und Isolde, Act 1: Vorspiel. Langsam und schmachtend - Belebend - Operatic Pappano -
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Wagner: Tristan und Isolde, Act 3: Liebestod. "Mild und leise wie er lächelt" (Isolde) - Operatic Pappano -
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Puccini: La bohème, Act 1: "Che gelida manina!" (Rodolfo) - Operatic Pappano -
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Puccini: La bohème, Act 1: "Ehi! Rodolfo!" - "O soave fanciulla" (Schaunard, Colline, Marcello, Rodolfo, Mimì) - Operatic Pappano -
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Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro) - Operatic Pappano -
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Puccini: Madama Butterfly, Act 1: "Sorride Vostro Onore?" (Suzuki, Pinkerton, Goro, Sharpless) - Operatic Pappano -
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Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Pinkerton, Sharpless) - Operatic Pappano -
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Puccini: Madama Butterfly, Act 2: Coro a bocca chiusa (Coro) - Operatic Pappano -
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Rossini: Il barbiere di Siviglia: Overture - Operatic Pappano -
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Verdi: Il trovatore, Act 1: "All'erta! All'erta!" (Ferrando, Coro) - Operatic Pappano -
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Verdi: Il trovatore, Act 1: "Di due figli vivea padre beato" (Ferrando, Coro) - Operatic Pappano -
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Verdi: Il trovatore, Act 1: "Il Trovator! Io fremo!" - "Deserto sulla terra" (Il Conte, Manrico) - Operatic Pappano -
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Verdi: Il trovatore, Act 2: Coro di zingari. "Vedi! Le fosche notturne" (Coro) - Operatic Pappano -
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Verdi: Il trovatore, Act 2: "Stride la vampa!" (Azucena) - Operatic Pappano -
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Verdi: Il trovatore, Act 2: "Mal reggendo all'aspro assalto" (Manrico, Azucena) - Operatic Pappano -
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Puccini: Il tabarro: Introduzione - Operatic Pappano -
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Puccini: Il tabarro: "Dimmi, perchè gli hai chiesto di sbarcarti a Rouen?" (Giorgetta, Luigi) - Operatic Pappano -
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Puccini: Suor Angelica: "Ave Maria" (Coro, Suor Angelica) - Operatic Pappano -
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Puccini: Gianni Schicchi: "Firenze è come un albero fiorito" (Rinuccio) - Operatic Pappano -
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Wagner: Götterdämmerung, Act 3: Siegfrieds Trauermarsch - Operatic Pappano -
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Tchaikovsky: Eugene Onegin, Op. 24, Act 2: Waltz. "Vot tak syurpriz!" (Chorus) - Operatic Pappano -
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Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise - Operatic Pappano -
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Massenet: Werther, Act 1: Prélude - Operatic Pappano -
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Massenet: Werther, Act 1: "Assez ! M’écoutera-t-on cette fois ?" - "Noël ! Jésus vient de naître !" (Le Bailli, Les Enfants) - Operatic Pappano -
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Massenet: Werther, Act 1: "Bravo pour les enfants !" (Johann, Schmidt, Les Enfants, Le Bailli, Sophie) - Operatic Pappano -
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Massenet: Werther, Act 2: Prélude - "Vivat Bacchus ! Semper vivat !" (Johann, Schmidt) - Operatic Pappano -
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Massenet: Werther, Act 2: "Allez ! Chantez l'office et que l'orgue résonne !" (Schmidt, Johann) - Operatic Pappano -
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Massenet: Werther, Act 1: "Je ne sais si je veille" (Werther) - Operatic Pappano -
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Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller" (Werther) - Operatic Pappano -
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Rossini: La scala di seta: Overture - Operatic Pappano -
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Rossini: Semiramide: Overture - Operatic Pappano -
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Strauss, R: Der Rosenkavalier, Op. 59, Act 2: "Mir ist die Ehre widerfahren" (Octavian, Sophie) - Operatic Pappano -
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Massenet: Manon, Act 1: Prélude - Operatic Pappano -
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Massenet: Manon, Act 1: "Holà ! Hé ! Monsieur l'hôtelier" (Guillot, Brétigny, Poussette, Javotte, Rosette, L'Hôtelier) - Operatic Pappano -
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Massenet: Manon, Act 1: "Hors-d'œuvres de choix" (L'Hôtelier, Poussette, Javotte, Rosette, Guillot, Brétigny) - Operatic Pappano -
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Massenet: Manon, Act 1: "Eh mais, voilà, déjà la ribambelle des bons bourgeois !" (L'Hôtelier, Lescaut, Gardes, Chœur) - Operatic Pappano -
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Massenet: Manon, Act 1: "Allez à l'auberge voisine" (Lescaut, Gardes, Chœur) - Operatic Pappano -
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Massenet: Manon, Act 1: "Oh ! Ma coiffure ! Ma toilette !" (Lescaut, Chœur) - Operatic Pappano -
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Massenet: Manon, Act 2: Prélude - Operatic Pappano -
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Massenet: Manon, Act 2: "En fermant les yeux, je vois là-bas" (Des Grieux) - Operatic Pappano -
Antonio Pappano
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