Antonio Salieri
Antonio Salieri (18 August 1750 – 7 May 1825) was an Italian composer and teacher of the classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy.
Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.
Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna's musical life. Franz Liszt, Franz Schubert, Ludwig van Beethoven, Anton Eberl, Johann Nepomuk Hummel and Franz Xaver Wolfgang Mozart were among the most famous of his pupils.
Salieri's music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century. This revival was due to the fictionalized depiction of Salieri in Peter Shaffer's play Amadeus (1979) and its 1984 film version. The death of Wolfgang Amadeus Mozart in 1791 at the age of 35 was followed by rumors that he and Salieri had been bitter rivals, and that Salieri had poisoned the younger composer; however, this has been disproved because the symptoms displayed by Mozart's illness did not indicate poisoning and it is likely that they were, at least, mutually respectful peers. Salieri was greatly affected by the widespread public belief that he had contributed to Mozart's death, which he vehemently denied and contributed to his nervous breakdowns in later life.
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Satie: Mercure, Deuxième tableau: Fuite de Mercure - Colère de Cerbère - Mythology - A Musical Odyssey Through Ancient Legends -
Antonio Salieri
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Mascitti: Violin Sonata, Op. 5 No. 12 "Psyché": IV. Badinage. Allegro - Mythology - A Musical Odyssey Through Ancient Legends -
Antonio Salieri
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Philidor: Pièces de trompettes et timbales: No. 25, Les échos de Jupiter - Mythology - A Musical Odyssey Through Ancient Legends -
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Warlock: Adam Lay Ybounden - Mythology - A Musical Odyssey Through Ancient Legends -
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Legrenzi: Eteocle e Polinice, Act 2: "Che fiero costume" (Antigone) [Orch. Courbier & Delaforge] - Mythology - A Musical Odyssey Through Ancient Legends -
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Puccini: Avanti, Urania! (Instrumental Version) - Mythology - A Musical Odyssey Through Ancient Legends -
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Bernier: Aminte et Lucrine: No. 6, Oracle. "Diane est irritée" - Mythology - A Musical Odyssey Through Ancient Legends -
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Elgar: The Sanguine Fan, Op. 81: Pan Enters Piping, Then Curls up to Sleep - Mythology - A Musical Odyssey Through Ancient Legends -
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Honegger: Phaedre: Imprécation de Thésée - Mythology - A Musical Odyssey Through Ancient Legends -
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Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 13d, Dance of the Swans. Dance of the Little Swans - Mythology - A Musical Odyssey Through Ancient Legends -
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Weelkes: 26 Ayeres or Phantasticke Spirites: No. 7, Tan ta ra, Cries Mars - Mythology - A Musical Odyssey Through Ancient Legends -
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Clérambault: Pirame et Tisbé: No. 5, Air. "Aux pieds de ces tombeaux sacrés" - No. 6, Récitatif. "Bientôt au gré de leur impatience" - Mythology - A Musical Odyssey Through Ancient Legends -
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Rossi: L'Orfeo, Act 3: Fantasia. Les pleurs d'Orphée - Mythology - A Musical Odyssey Through Ancient Legends -
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Rubinstein: Moses, Op. 112, Picture 4: Osiris, the Radiant Son of Geb (Choir) - Mythology - A Musical Odyssey Through Ancient Legends -
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Lawes, William: A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne) - Mythology - A Musical Odyssey Through Ancient Legends -
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Mondonville: Titon et l'Aurore, Op. 7, Prologue, Scene 1: "Dieux, connaissez-vous d'autre félicité" (Prométhée) - Mythology - A Musical Odyssey Through Ancient Legends -
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Dowland: The Third and Last Booke of Songs or Ayres: No. 6, When Phoebus First Did Daphne Love - Mythology - A Musical Odyssey Through Ancient Legends -
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Marais: Alcyone, Act 4: Symphonie du sommeil - Mythology - A Musical Odyssey Through Ancient Legends -
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Fauré: L'horizon chimérique, Op. 118: No. 3, Diane, Séléné - Mythology - A Musical Odyssey Through Ancient Legends -
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Pärt: 7 Magnificat-Antiphonen: No. 4, O Schlüssel Davids - Mythology - A Musical Odyssey Through Ancient Legends -
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Mudarra: Libros de música en cifra, Libro III: Romanza II. "Triste estava el Rey David" - Mythology - A Musical Odyssey Through Ancient Legends -
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Caldara: Achille in Sciro, Act 2: "Se un core annodi" (Achille) - Mythology - A Musical Odyssey Through Ancient Legends -
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Walton: Troilus and Cressida, Act 3: "O Gods, O Deathless Gods" (Cressida) - Mythology - A Musical Odyssey Through Ancient Legends -
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D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) - Mythology - A Musical Odyssey Through Ancient Legends -
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Orff: Trionfo di Afrodite: VII. Appearance of Aphrodite - Mythology - A Musical Odyssey Through Ancient Legends -
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Traditional: Abraham's Daughter - Mythology - A Musical Odyssey Through Ancient Legends -
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Praetorius: Terpsichore: No. 2a, Bransle simple de novelle - Mythology - A Musical Odyssey Through Ancient Legends -
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De Machaut: Quant Theseus / Ne quier veoir - Mythology - A Musical Odyssey Through Ancient Legends -
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Kuhnau: Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": VI. Dem Goliath der Stein in die Stirne geschleudert wird - Mythology - A Musical Odyssey Through Ancient Legends -
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Gounod: Faust, Act 5, Ballet "La nuit de Walpurgis": No. 7, Danse de Phryné. Allegretto vivo - Mythology - A Musical Odyssey Through Ancient Legends -
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Sacchini: Œdipe à Colone, Act 3: Air. "Dieux, ce n'est pas pour moi que ma voix vous implore" (Antigone) - Mythology - A Musical Odyssey Through Ancient Legends -
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Schmitt: À contre-voix, Op. 104: No. 4, L'arche de Noé - Mythology - A Musical Odyssey Through Ancient Legends -
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Debussy: 6 Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été - Mythology - A Musical Odyssey Through Ancient Legends -
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Orpheus with his Lute - Mythology - A Musical Odyssey Through Ancient Legends -
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Schubert: 3 Lieder, Op. 19: No. 1, An Schwager Kronos, D. 369 - Mythology - A Musical Odyssey Through Ancient Legends -
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Locatelli: Concerto grosso in E-Flat Major, Op. 7 No. 6 'Il pianto d'Arianna": II. Largo - Mythology - A Musical Odyssey Through Ancient Legends -
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Grétry: Andromaque, Act 1: "C'est le seul espoir qui me reste" - "Si fidèle au nœud qui l'engage" (Hermione) - Mythology - A Musical Odyssey Through Ancient Legends -
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Pallavicino: L'Antiope, Act 2: "Vieni, corri, volami in braccio" (Antiope) - Mythology - A Musical Odyssey Through Ancient Legends -
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Holst: First Choral Symphony, Op. 41: I. Prelude. Invocation to Pan - Mythology - A Musical Odyssey Through Ancient Legends -
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Rangström: 5 Ballader: No. 3, Pan - Mythology - A Musical Odyssey Through Ancient Legends -
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Paladilhe: Psyché - Mythology - A Musical Odyssey Through Ancient Legends -
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Rameau: Deuxième livre de pièces de clavecin, Suite en ré majeur: VI. Les cyclopes (Arr. Sergio Assad for Two Guitars) - Mythology - A Musical Odyssey Through Ancient Legends -
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Pollarolo: La costanza gelosa negl'amori di Cefalo e Procri, Act 3: "Son tanto avvezzo a piangere" (Mercurio) - Mythology - A Musical Odyssey Through Ancient Legends -
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Albinoni: Il nascimento dell'aurora: Aria. "Se non ama la virtù" (Dafne) - Mythology - A Musical Odyssey Through Ancient Legends -
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Milhaud: Les rêves de Jacob, Op. 294: I. L'oreiller de Jacob - Mythology - A Musical Odyssey Through Ancient Legends -
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Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden" - Mythology - A Musical Odyssey Through Ancient Legends -
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Gibbons: Hosanna to the Son of David - Mythology - A Musical Odyssey Through Ancient Legends -
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Ravel: Daphnis et Chloé, M. 57, Pt. 1: Danse lente et mystérieuse des Nymphes - Mythology - A Musical Odyssey Through Ancient Legends -
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Verdi: Aida, Act 1: "Immenso Fthà" - "Mortal, diletto ai numi" (Ramfis, Coro) - Mythology - A Musical Odyssey Through Ancient Legends -
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Charpentier: Médée, H. 491, Act 4: "Noires divinités" (Créon) - Mythology - A Musical Odyssey Through Ancient Legends -
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Klami: Kaleva Suite, Op. 23: I. The Creation of the Earth - Mythology - A Musical Odyssey Through Ancient Legends -
Antonio Salieri
Winter Adagios
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Corelli: Concerto grosso in D Major, Op. 6 No. 4: II. Adagio (Arr. Diluka for Piano) - Winter Adagios -
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Bartók: For Children, Sz. 42, Book I "Based On Hungarian Folk Tunes": No. 3, Quasi adagio - Winter Adagios -
Antonio Salieri
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Scarlatti, D: Sinfonia No. 7 in C Major: II. Adagio e staccato - Winter Adagios -
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Satie: Réflexions nocturnes Nos. 1 & 2 - Winter Adagios -
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Handel: Concerto grosso in C Minor, Op. 6 No. 8, HWV 326: IV. Adagio - Winter Adagios -
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Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio - Winter Adagios -
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Torelli: Concerto for Strings in G Major, Op. 6 No. 1: III. Adagio - Winter Adagios -
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Paganini: Centone di sonate, Op. 64, Lettera A: Sonata No. 2 in D Major: I. Adagio cantabile - Winter Adagios -
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Vivaldi: L'estro armonico, Op. 3: Concerto No. 2 for Two Violins in G Minor, RV 578: I. Adagio e spiccato - Winter Adagios -
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Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto - Winter Adagios -
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Rosenmüller: Trio Sonata in E Minor: III. Adagio (Arr. for Guitar & Organ) - Winter Adagios -
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Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio - Winter Adagios -
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Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato - Winter Adagios -
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Pergolesi: Sinfonia a tre in F Major: III. Adagio - Winter Adagios -
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Rameau: Achante et Céphise, Act 2: Plainte - Winter Adagios -
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Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" - Winter Adagios -
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Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio - Winter Adagios -
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Stravinsky: Divertimento from the Fairy's Kiss: IV. (a) Pas de deux. Adagio (Arr. Dushkin for Violin and Piano) - Winter Adagios -
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Van Wassenaer: Concerto armonico No. 2 in B-Flat Major: III. Adagio affettuoso - Winter Adagios -
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Villa-Lobos: Bachianas Brasileiras No. 5, W389: I. Ária - Winter Adagios -
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Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio - Winter Adagios -
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Mendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114 - Winter Adagios -
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Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio - Winter Adagios -
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Field: Piano Concerto No. 2 in A-Flat Major: II. Poco adagio - Winter Adagios -
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Agricola, JF: Flute Sonata in A Major: I. Adagio - Winter Adagios -
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Gounod: Faust, Act 5: Ballet "La nuit de Walpurgis": II. Adagio - Winter Adagios -
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Schenck: L'écho du Danube, Op. 9: Sonata No. 6 in A Minor: IV. Aria. Adagio - Winter Adagios -
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Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio - Winter Adagios -
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Tartini: Violin Concerto in E Major, D. 53: II. Adagio (Orch. Westby) - Winter Adagios -
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Mozart, L: Trombone Concerto in D Major: II. Adagio - Winter Adagios -
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Marcello, A: Oboe Concerto in D Minor, S. Z799: II. Adagio - Winter Adagios -
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Janáček: In the Mists: II. Molto adagio - Winter Adagios -
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Platti: Cello Concerto in D Major, WD 650: II. Adagio - Winter Adagios -
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Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio - Winter Adagios -
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Schumann: 6 Studien in kanonischer Form, Op. 56: No. 6, Adagio - Winter Adagios -
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Devienne: Flute Concerto No. 7 in E Minor: II. Adagio - Winter Adagios -
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Schubert: Arpeggione Sonata in A Minor, D. 821: II. Adagio - Winter Adagios -
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Couperin, F: L'apothéose de Lully: La paix du Parnasse: I. Sonade en trio - Winter Adagios -
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Debussy: Préludes, Livre I, CD 125, L. 117: No. 6, Des pas sur la neige - Winter Adagios -
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Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio - Winter Adagios -
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Baermann: Clarinet Quintet No. 3 in E-Flat Major, Op. 23: II. Adagio (Version with String Orchestra, Formerly Attributed to Richard Wagner) - Winter Adagios -
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Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio - Winter Adagios -
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Mendelssohn-Hensel: String Quartet in E-Flat Major: I. Adagio ma non troppo - Winter Adagios -
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Leclair: Violin Concerto in C Major, Op. 7 No. 3: II. Adagio - Winter Adagios -
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Petrini: Symphony No. 3 with Harp, Op. 36: I. Adagio - Winter Adagios -
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Hummel: Viola Sonata in E-Flat Major, Op. 5 No. 3: II. Adagio cantabile - Winter Adagios -
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Glazunov: Suite from Raymonda, Op. 57a: XI. Grand pas d'action. Grand adagio - Winter Adagios -
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Krommer: Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio - Winter Adagios -
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Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio - Winter Adagios -
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Gluck: Flute Concerto in G Major: II. Adagio ma non troppo - Winter Adagios -
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Salieri: Prima la musica e poi le parole: Sinfonia - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Duetto. "Signor Poeta mio" (Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Salieri: Prima la musica e poi le parole: Recitativo. "Non dubitar, verrò" (Eleonora) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Salieri: Prima la musica e poi le parole: Aria. "Là tu vedrai chi sono" (Eleonora) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Salieri: Prima la musica e poi le parole: Trio. "Cari oggetti" (Eleonora, Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Salieri: Prima la musica e poi le parole: Aria. "Via largo, largo, largo" - Recitativo. "Voi non piangete, o perfidi?" (Tonina, Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Salieri: Prima la musica e poi le parole: Cavatina. "Cucuzze! Che concorso" (Tonina) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Salieri: Prima la musica e poi le parole: Finale. "Se questo mio pianto il cor non ti tocca" (Eleonora, Tonina, Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Mozart: Der Schauspieldirektor, K. 486: Ouvertüre - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Mozart: Der Schauspieldirektor, K. 486: Ariette. "Da schlägt die Abschiedsstunde" (Madame Herz) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Mozart: Der Schauspieldirektor, K. 486: Rondo. "Bester Jüngling! Mit Entzücken" (Mademoiselle Silberklang) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Mozart: Der Schauspieldirektor, K. 486: Terzett. "Ich bin die erste Sängerin" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsang) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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Mozart: Der Schauspieldirektor, K. 486: Vaudeville. "Jeder Künstler strebt nach Ehre" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsang, Buff) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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