Boston Baroque
Boston Baroque is the oldest permanent period instrument orchestra in North America. It was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement.
The Boston Baroque professional chamber chorus was established as an integral part of the ensemble in 1981.
With Pearlman as its music director, the ensemble presented an annual subscription concert series in Greater Boston, Massachusetts; performed on tour in Carnegie Hall, Chicago's Shubert Theatre, Los Angeles's Disney Hall, at the Ravinia and Tanglewood festivals, and toured internationally. Pearlman retired as music director at the end of the 2024-25 season. The French conductor, Marc Minkowski, was appointed the new music director of Boston Baroque in April 2026 and will take over leadership in the 2026-2027 season.
The orchestra, originally named "Banchetto Musicale", was renamed Boston Baroque in 1992, when Telarc Records, in its first commitment to a period-instrument orchestra, signed the ensemble to produce a series of recordings of major Baroque and Classical repertoire for international commercial distribution. In 2012, Boston Baroque became the first American orchestra to record with the highly-regarded UK audiophile label, Linn Records. Boston Baroque’s 26 acclaimed commercial recordings are frequently heard by millions on classical radio stations in North America and Europe, as well as on Boston Baroque Radio, Boston Baroque’s streaming channel. Boston Baroque’s recordings have received six GRAMMY® Award Nominations: its 1992 release of Handel’s Messiah, 1998 release of Monteverdi’s Vespers of 1610, 2000 release of Bach’s Mass in B Minor, 2014 release of Monteverdi’s Il Ritorno d’Ulisse in patria (two nominations), and 2017 release of Biber’s Mystery Sonatas.
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Il ritorno d'Ulisse in patria, SV 325: Prologue - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 1. "Lieto cammino" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 1. "O dolor, o martir" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 1. "Di misera regina" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 2. "O gran figlio d'Ulisse" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 3. "E quai nuovi rumori" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 2. "Duri e penosi" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 3. "Che veggio, ohime, che miro?" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 4. "Forza d'occulto affetto" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 4. Sinfonia (The Sleeping Ulisse Carried on Shore) - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 4. "Eurimaco, la donna e insomma" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 5. "E saggio Eumete" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 5. "Superbo e l'huom" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 5. "Sono l'altre regine" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 6. "Fiamma e l'ira, o gran Dea" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 6. "In questo basso mondo" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 7. "Apportator d'alte novelle" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 7. "Gran Giove" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 7. "Dormo ancora" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 8. "CompagnI. udiste" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 8. "Ericlea, che vuoi far" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 8. "Cara e lieta gioventu" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 9. "Perir non puo" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 9. "Ogni nostra ragion" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 9. "Tu d'Aretusa al fonte" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 10. "Io vidI. o pellegrin" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 10. "O delle mie fatiche" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 10. "Donata un giorno" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 11. "Del mio lungo viaggio" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 11. "Oh come mal si salva" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 12. "Sempre villano Eumete" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 12. "Pastor d'armenti puo" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 12. "Tu vincitor" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 13. "Ulisse generoso!" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 12. "Ecco l'arco d'Ulisse" - Monteverdi: Il ritorno d'Ulisse in patria -
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Die Schöpfung, Pt. 3: No. 30. Recitativ "Aus Rosenwolken bricht" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Prelude. "Die Vorstellung des Chaos" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 31. Duett mit Chor "Von deiner Gut', o Herr und Gott" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 1, Recitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 32. Recitativ "Nun ist die erste Pflicht erfüllt" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 2, Arie mit Chor "Nun schwanden vor dem heiligen Strahle" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 33. Duett "Holde Gattin, dir zur Seite" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 3, Recitativ "Und Gott machte das Firmament" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 34. Recitativ "O glücklich Paar, und glücklich immerfort" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 4, Solo mit Chor "Mit Staunen sieht das Wunderwerk" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 35. Chor "Singt dem Herrn alle Stimmen" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Es sammle sich das Wasser" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 6, Arie "Rollend in schäumenden Wellen" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Es bringe die Erde Gras hervor" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 8, Arie "Nun beut die Flur das frische Grun" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 9, Recitativ "Und die himmlischen Heerscharen" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 10, Chor "Stimmt an die Saiten" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Es sei'n Lichter an der Feste" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 12, Recitativ "In vollem Glanze steiget jetzt " - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 13, Terzett mit Chor "Und die Engel rührten ihr' unsterblichen Harfen" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: Es bringe das Wasser" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 15, Arie "Auf starkem Fittiche schwinget sich" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 16, Recitativ "Und Gott schuf grosse Walfische" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 17, Recitativ "Und Gott schuf grosse Walfische" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 18, Terzett mit Chor "In holder Anmut stehn, mit jungem Grun" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: Es bringe die Erde hervor" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 20, Recitativ "Gleich öffnet sich der Erde Schoss" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 21, Arie "Nun scheint in vollem Glanze der Himmel" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 22, Recitativ "Und Gott schuf den Menshen" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 23, Arie "Mit Würd' und Hoheit angetan" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 24, Recitativ "Und Gott sah jedes Ding" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 25, Terzett mit Chor "Zu dir, o Herr, blickt alles auf" - Haydn: The Creation -
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Gloria in D Major, RV 589: I. Gloria in excelsis - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: II. Et in terra pax - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: III. Laudamus te - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: IV. Gratias agimus tibi - V. Propter magnam gloriam - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: VI. Domine Deus - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: VII. Domine Fili unigenite - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: IX. Qui tollis peccata mundi - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Gloria in D Major, RV 589: XII. Cum Sancto Spiritu - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: I. Magnificat - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
Boston Baroque
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Magnificat in D Major, BWV 243: II. Et exsultavit spiritus meus - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: III. Quia respexit humilitatem - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: IV. Omnes generationes - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: V. Quia fecit mihi magna - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: VI. Et misericordia - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: VII. Fecit potentiam - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: VIII. Deposuit potentes - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: X. Suscepit Israel - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: XI. Sicut locutus est - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: XIIa. Gloria Patri - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Magnificat in D Major, BWV 243: XIIb. Sicut erat in principio - Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 -
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Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourrée I & II - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 4 in D Major, BWV 1069: III. Gavotte - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I & II - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 4 in D Major, BWV 1069: V. Réjouissance - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavotte I & II - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrée I & II - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepied I & II - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture - Bach: The Complete Orchestral Suites -
Boston Baroque
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Suite No. 3 in D Major, BWV 1068: II. Air - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I & II - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue - Bach: The Complete Orchestral Suites -
Boston Baroque
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Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I & II - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet - Bach: The Complete Orchestral Suites -
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Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie - Bach: The Complete Orchestral Suites -
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Iphigénie en Tauride, Wq. 46, Act I: Grands dieux! Soyez-nous secourables - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Iphigénie, ô ciel! - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Ô songe affreux! - Ô race de Pélops! - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Ô toi, qui prolongeas mes jours - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Quand verrons-nous tarir nos pleurs? - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Dieux! Le malheur en tous lieux suit mes pas - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: De noirs pressentiments - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Les dieux apaisent leur courroux - Malheureuse! - Les Dieux apaisent leur courroux - Dieux! Étouffez en moi le cri de la nature! - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Il nous fallait du sang (1) - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Ballet - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Malheureux, quel dessein - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act I: Il nous fallait du sang (2) - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Quel silence effrayant! - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Dieux qui me poursuivez - Quel langage accablant - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Unis dès la plus tendre enfance - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Étrangers malheureux - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Dieux! Protecteurs de ces affreux rivages - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Le calme rentre dans mon cœur - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Ballet-pantomime - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Vengeons et la nature - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Je vois toute l'horreur - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Patrie infortunée - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Ô malheureuse Iphigénie! - Honorez avec moi - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act II: Contemplez ces tristes apprêts - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act III: Je cède à vos désirs - D'une image, hélas! - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act III: Voici ces captifs malheureux - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act III: Ô joie inattendue! - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act III: Je pourrais du tyran tromper la barbarie - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act III: Ô moment trop heureux! - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act III: Et tu prétends encore que tu m'aimes - Quoi! Je ne vaincrai pas ta constance funeste? - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act III: Ah! Mon ami - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act III: Malgré toi, je saurai t'arracher - Quoi? Toujours à mes vœux - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act III: Puisque le ciel à vos jours s'intéresse - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act III: Divinité des grandes âmes - Iphigénie en Tauride, Wq. 46 -
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Iphigénie en Tauride, Wq. 46, Act IV: Non, cet affreux devoir - Je t'implore et je tremble - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Ô Diane, sois-nous propice - La force m'abandonne - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Chaste fille de Latone - Quel moment! Dieux puissants - Ah! Laissons-là ce souvenir funeste - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Tremblez! Tremblez! On sait tout le mystère - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: De tes forfaits la trame est découverte - Qu'oses-tu proposer, barbare? - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Vengeons le sang de notre roi! - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Arrêtez! Écoutez mes décrets éternels - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Ta sœur! Qu'ai-je entendu? - Dans cet objet touchant - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Iphigénie en Tauride, Wq. 46, Act IV: Les dieux, longtemps en courroux - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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Martin Pearlman Discusses Iphigénie en Tauride - Iphigénie en Tauride, Wq. 46 -
Boston Baroque
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