Jurjen Hempel
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Shadowtime: Scene 1, New Angels - Transient Failures (Prologue) - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 4, Opus Contra Naturam (Descent of Benjamin into the Underworld): — - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime: Scene 2, Les Froissements d'Ailes de Gabriel - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 4, Opus Contra Naturam (Descent of Benjamin into the Underworld): Katabasis - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Amphibolies I (Walk Slowly) - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 4, Opus Contra Naturam (Descent of Benjamin into the Underworld): Kataplexy - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Dust to Dusk - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Three Giant Mouths - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Cannot Cross - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Headless Ghoul - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Indissolubility (Motetus Absconditus) - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Karl Marx and Groucho Marx, with Kerberus - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Amphibolies II (Noon) - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Pope Pius XII - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: In the Dark (But Even Fire Is Light) - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Joan of Arc - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Sometimes - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Baal Shem Tov Disguised as Vampire - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Anagrammatica - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Adolf Hitler - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Dew and die - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Albert Einstein - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Schein - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Border Guard - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Dusts to Dusks - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Four Furies - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Amphibolies III (Pricks) - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 5, Pools of Darkness: Golem - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 3, The Doctrine of Similarity: Salute - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Laurel's Eyes (After Heine's "Die Lorelei") - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Tensions - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Hashish in Marseilles - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: After Heine's "Der Tod, das ist die kühle Nacht" - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: One and a Half Truths - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Can'ts - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 6, 7 Tableaux Vivants Representing the Angel of History as Melancholia: Madame Moiselle and Mr. Moiselle - Ferneyhough: Shadowtime -
Jurjen Hempel
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Shadowtime, Scene 7: Stelae for Failed Time - Ferneyhough: Shadowtime -
Jurjen Hempel
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Cello Concerto No. 2 in G Major, Op. 126: I. Largo - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: I. Introduzione. Lento - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: II. Marcia. Allegro - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: III. Canto. Con moto - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: IV. Barcarolla. Lento - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: VI. Fuga. Andante espressivo - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: VII. Recitativo. Fantastico - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: VIII. Moto perpetuo. Presto - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: IXa. Passacaglia. Lento solenne - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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Cello Suite No. 3, Op. 87: IXb. Molto semplice - Shostakovich: Cello Concerto No. 2 in G Major, Op. 126 - Britten: Cello Suite No. 3, Op. 87 -
Jurjen Hempel
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