Elizabeth Connell
Frances Elizabeth Connell (22 October 1946 – 18 February 2012) was a South African-born operatic mezzo-soprano, and later soprano, whose career took place mainly in the United Kingdom and Australia.
Connell was born in Port Elizabeth, South Africa in 1946, to a Catholic father from South Africa and a Protestant mother from Port Elizabeth, one of five children.
Connell attained an opera scholarship to the London Opera Centre, and came to the UK in 1970. Her teachers there included Otakar Kraus, who told her that 'one day you'll be a dramatic soprano'. In 1972, she was a winner of the Maggie Teyte prize for young musicians, and also made her professional debut at Wexford Festival Opera in Ireland, as she was initially not able to appear in British opera houses, as a white South African during the era of apartheid. She attained Irish citizenship via her grandfather. She read music at the University of the Witwatersrand, and after taking her degree, taught music and geography in secondary school. At the invitation of Edward Downes, she sang at the opening of the Sydney Opera House in Prokofiev's War and Peace in 1973, as Princess Marya, and continued to have a special relationship with Opera Australia for the rest of her career. Her UK career attained greater prominence after her appearance at the 1975 First Night of The Proms in Mahler's Symphony No 8. She then had a regular five-year association with English National Opera.
Her debut at London's Royal Opera House, Covent Garden was in Verdi's I Lombardi. She first sang at Bayreuth in 1980 as Ortrud in Lohengrin, a role she performed in a video production, at the Vienna State Opera and the Paris Opéra (Bastille).
In 1983, Connell transitioned to singing full-time as a soprano, by cancelling all of her engagements for mezzo parts, and taking time to avoid speaking or singing, with subsequent gradual transition into soprano roles. Her early performances as a soprano included Corine from Luigi Cherubini's Anacréon, Fiordiligi (Così fan tutte) and Julia in Gasparo Spontini's La Vestale.
Her Metropolitan Opera debut was in 1985, as Vitellia (La clemenza di Tito), and her Opéra de Paris debut was in 1987 as Senta (The Flying Dutchman).
Her dramatic qualities were praised in her performance (as Senta in The Flying Dutchman) in Tokyo with Seiji Ozawa conducting. Her San Francisco Opera debut was in 1987 and she was frequently invited back.
She sang the role of Brünnhilde in both Die Walküre (Santiago, Chile opera) and Siegfried (Rome Opera). Her repertory included leading roles in the Verdi operas Nabucco, Macbeth, and Oberto. Her performances as Isolde in Wagner's Tristan und Isolde included appearances at the Opera Real in Madrid and a concert performance in Carnegie Hall. Other parts she sang were Ellen Orford in Britten's Peter Grimes and the Kostelnicka in Janáček's Jenufa.
In 2004, she sang Leonore in a performance of Fidelio by Cape Town Opera staged at Robben Island, 10 years after the release of Nelson Mandela from prison there.
Connell's final performance was a recital on 27 November 2011 in Hastings. She had intended to retire to Australia, but the diagnosis of her cancer prevented this. She died in London on 18 February 2012, aged 65. She married baritone Robert Eddie in 1987; the marriage ended in dissolution. Her three brothers John, Peter, and Paul, and her sister Rosemary survive her.
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Elektra, Op. 58: "Allein! Weh, ganz allein" - Muses to Murder - Wagner and Strauss Heroines -
Elizabeth Connell
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Ariadne auf Naxos, Op. 60: "Es gibt ein Reich" - Muses to Murder - Wagner and Strauss Heroines -
Elizabeth Connell
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Salome, Op. 54: "Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan!" - Muses to Murder - Wagner and Strauss Heroines -
Elizabeth Connell
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Tristan und Isolde, WWV 90: Prelude to Act I - Muses to Murder - Wagner and Strauss Heroines -
Elizabeth Connell
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Tristan und Isolde, WWV 90, Act III: Liebestod "Mild und leise wie er lächelt" - Muses to Murder - Wagner and Strauss Heroines -
Elizabeth Connell
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Götterdämmerung, WWV 86D, Act III: "Starke Scheite schichtet mir dort" - Muses to Murder - Wagner and Strauss Heroines -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I: Prelude - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II: Prologue. The Ballad. There Was a Boy, a Wingrave Born (The Narrator, Chorus) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 1: You've Got Your Maps There? (Coyle, Lechmere, Owen) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II: They Called for Him to Toll the Bell (The Narrator, Chorus) - Scene 1. The Bell Was for the Child He Slew (Owen) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 1: Sir, I Can't Go Through With It (Owen, Coyle) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 1: I Envy You This Fine Old House (Lechmere, Mrs. Julian, Mrs. Coyle, Coyle, Owen, Kate) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 1: Straight Out of School They Come to Me (Coyle) - Interlude - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 1: Aha! (Sir Philip, Coyle, Lechmere, Mrs. Coyle, Kate, Mrs. Julian, Miss Wingrave) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 2: At Last It's Out. No Doubt Old Coyle Will Rage (Owen, Miss Wingrave, Coyle) - Interlude II - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 1: And With His Friend Young Lechmere Played (Owen, Miss Wingrave, Kate, Mrs. Julian, Mrs. Coyle) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 3: Your Sherry, Mrs. Coyle (Lechmere, Mrs. Coyle, Coyle, Owen) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 1: Now You May Save Your Scornful Looks (Owen) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 3: Owen, You Can't Mean It - It's Mad, It's Your Whole Life (Lechmere, Owen) - Interlude III - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 1: Ah, Owen What Shall I Do? (Kate, Owen) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 4: Oh, How Unforeseen (Mrs. Julian, Kate, Miss Wingrave) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 2: Is That You, Coyle? (Mrs. Coyle, Coyle, Lechmere) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 4: And now, to face them, all of them, the living and the dead (Owen, Miss Wingrave, Mrs. Julian) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act II Scene 2: Ah, Owen, Owen (Kate, Lechmere, Mrs. Coyle, Coyle, Mrs. Julian, Miss Wingrave, Sir Philip) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 4: Sirrah! How Dare You! (Sir Philip, Kate) - Scene 5. How Dare You! (Miss Wingrave, Kate, Sir Philip, Mrs. Julian) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 6: Coyle, I Wish I Had Not Come. It's Horrible! (Mrs. Coyle, Coyle) - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 6: Ah! Owen! (Mrs. Coyle, Coyle, Owen, Lechmere) - Interlude IV - Britten: Owen Wingrave -
Elizabeth Connell
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Owen Wingrave, Op. 85, Act I Scene 7: May God Bless the Queen, and This House (Sir Philip, Mrs. Coyle, Kate, Miss Wingrave, Lechmere) - Britten: Owen Wingrave -
Elizabeth Connell
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Suor Angelica: Ave Maria, piena di gratia - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Sorelle in umiltà, mancaste alla quindena - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: O sorelle in pio lavoro - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Ho un desiderio anch'io! - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Laudata Maria! E sempre sia! - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Suor Angelica! Madre, Madre, parlate! - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Il principe Gualtiero vostro padre - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Nel silenzio di quei raccoglimenti - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Tutto ho offerto all Vergine, sì, tutto - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Senza mamma, o bimbo, tu sei morto - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Sorella, o buona sorella - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: La grazie è dicesa dal cielo - Puccini: Suor Angelica -
Elizabeth Connell
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Suor Angelica: Ah, son dannata! - Puccini: Suor Angelica -
Elizabeth Connell
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Tosca / Act 2: "Vissi d'arte, vissi d'amore" - Puccini: Suor Angelica -
Elizabeth Connell
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Lied "Ferne von der grossen Stadt", D. 483 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Das Lied im Grünen, D. 917 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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An die Natur, D. 372 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Wehmut, D. 772 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Lied "Die Mutter Erde", D. 788 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Die Erde, D. 579B - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Ganymed, D. 544 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Täglich zu singen, D. 533 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Die Allmacht, D. 852 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Erinnerung "Totenopfer", D. 101 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Klage der Ceres, D. 323 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Die Sternenwelten, D. 307 - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Morgenlied, D. 381 "Die frohe neubelebte Flur" - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Dem Unendlichen, D. 291 (1st Version) - Schubert: Hyperion Song Edition 5 – Schubert & the Countryside -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": I. Sinfonia: a. Maestoso con moto - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": I. Sinfonia: b. Allegretto un poco agitato - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": I. Sinfonia: c. Adagio religioso - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIa. Chorus. Alles was Odem hat lobe den Herrn - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIb. Solo and Chorus. Lobe den Herrn, meine Seele - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIIa. Recit. Saget es, die ihr erlöst seid - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IIIb. Aria. Er zählet unsre Tränen - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IV. Chorus. Sagt es, die ihr erlöst seid - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": V. Duet & Chorus. Ich harrete des Herrn - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": VI. Solo. Stricke des Todes hatten uns umfangen - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": VII. Chorus. Die Nacht ist vergangen - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": VIII. Chorale. Nun danket alle Gott - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IX. Duet. Drum sing ich mit meinem Liede - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": X. Chorus. Ihr Völker, bringet her dem Herrn Ehre und Macht! - Mendelssohn: Symphony No.2 "Lobgesang" -
Elizabeth Connell
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