Musica Ficta

Musica ficta (from Latin, "false", "feigned", or "fictitious" music) was a term used in European music theory from the late 12th century to about 1600 to describe pitches, whether notated or added at the time of performance, that lie outside the system of musica recta or musica vera ("correct" or "true" music) as defined by the hexachord system of Guido of Arezzo.

Responsorios de Tinieblas - 2021-03-09T00:00:00.000000Z

Alonso Lobo: Missae - 2021-03-05T00:00:00.000000Z

Francisco Guerrero: Villanescas I - 2021-03-05T00:00:00.000000Z

Pedro Ruimonte: Parnaso Espanol - De Madrigales, Y Villancicos - 2021-02-26T00:00:00.000000Z

Tomas Luis de Victoria: Officium Defunctorum - Musica Ficta - Raul Mallavibarrena - 2021-02-26T00:00:00.000000Z

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